1408 (2007) (4K + Blu-ray Limited Edition Lenticular Hardcase) [Australia]

[Billy Talent]

Release date: April 29, 2026
Purchase link: Via Vision
Price: AUD $109.95
Notes: Lenticular Hardcase includes Art Cards, Limited to 2000 copies

Spoiler: Special Features and Specs

1408 (2007)
4K UHD + Blu-ray
Limited Edition 3D Lenticular Hardcase + Art Cards​

Individually numbered, limited to a maximum of 2000 units.

Based on a story by suspense master Stephen King, 1408 is a gripping psychological horror starring John Cusack and Samuel L. Jackson.

A man writing a book about the paranormal travels to New York and stays in a hotel room that has been said to be responsible for the death of all the guests that come to stay.

This comprehensive Limited Edition set includes both the Theatrical and Director’s Cuts on both 4K UHD and Blu-ray, alongside hours of special features, all housed in a Lenticular Hardcase with art cards.

___________________________________________________

Special Features and Technical Specs:

Disc One: 4K UHD – Theatrical Cut (104 min)

• Dolby Vision and HDR10 presentation of the Theatrical Cut on 4K UHD
• Don’t Enter 1408 – featurette
• Aspect Ratio 2.40:1
• Audio: English Dolby Atmos
• Optional English / Spanish Subtitles

Disc Two: 4K UHD – Director’s Cut (112 min)

• Dolby Vision and HDR10 presentation of the Director’s Cut on 4K UHD
• Audio commentary by director Mikael Håfström and writers Scott Alexander and Larry Karaszewski
• Alternate Endings
• Deleted Scenes with optional commentary by director Mikael Håfström and writers Scott Alexander and Larry Karaszewski
• The Secrets of 1408 – featurette
• John Cusack on 1408 – featurette
• Inside Room 1408 – featurette
• Theatrical Trailer
• Aspect Ratio 2.40:1
• Audio: English Dolby TrueHD
• Optional English Subtitles

Disc Three: Blu-ray – Theatrical Cut (104 min)

• 1080p High-definition presentation of the Theatrical Cut on Blu-ray
• Alternate Endings
• Deleted Scenes with optional commentary by director Mikael Håfström and writers Scott Alexander and Larry Karaszewski
• The Secrets of 1408 – featurette
• John Cusack on 1408 – featurette
• Inside Room 1408 – featurette
• Theatrical Trailer
• Aspect Ratio 2.40:1
• Audio: English DTS-HD 5.1 Surround / 5.1 Dolby TrueHD / 5.1 Dolby Digital
• Optional English / Spanish Subtitles

Disc Four: Blu-ray – Director’s Cut (112 min)

• 1080p High-definition presentation of the Director’s Cut on Blu-ray
• Audio commentary by director Mikael Håfström and writers Scott Alexander & Larry Karaszewski
• 1408: The Premiere – vintage featurette
• Aspect Ratio 2.40:1
• Audio: English DTS-HD 5.1 Surround / 5.1 Dolby TrueHD / 5.1 Dolby Digital
• Optional English Subtitles

 

[C.C. 95]

What is up with that price ?!!
$77.00 ?!!

 

[leelee17]

These lenticular hardcases are very nice. I have the Dredd and Grindhouse editions and recommended these highly.
The higher price tag for this one is most likely due to it having 2 4K discs.

 

[C.C. 95]

I have quite a few of them. The lenticulars are very good. I just don't like the pricing.
If there were a steelbook inside, that would make more sense.
They should really be in the $40 range at most.

 

[leelee17]

Hopefully it's not the start of a price hike going forward...

 

[C.C. 95]

Hopefully it's not the start of a price hike going forward...

It's killing me. Because their lentis are REALLY good. If they were just so-so, it would be easier to pass.
Plus- their lentis always get announced AFTER there has been a 4K edition released elsewhere. Which is really annoying.
(Case in point- i JUST got the Lionsgate steelbook for 1408)

 

[leelee17]

Diving straight into the first announcement of a new release/re-release has become a dodgy practice as it now seems inevitable that other releases will be announced(often better)further down the line. It's a tricky one, as we don't want to miss out and dive straight in as we assume that we are buying 'the one', only to be presented with better editions afterwards...

 

[C.C. 95]

Diving straight into the first announcement of a new release/re-release has become a dodgy practice as it now seems inevitable that other releases will be announced(often better)further down the line. It's a tricky one, as we don't want to miss out and dive straight in as we assume that we are buying 'the one', only to be presented with better editions afterwards...

Yes. The art of collecting remains a tricky mousetrap. Example: some people regretting jumping on Shout editions of the Golden Princess films - not knowing that Arrow would be doing them later with better packaging. And then- The Arrow/Shout buyer regretting that later Imprint would release the same movies with steelbooks!

 

[BluSteel2012]

Is it not a bit strange that there's no Atmos on the extended cut only the the theatrical cut?

For the sake of 8 extra minutes.....

 

[jaws finatic]

I like this much more than that puffy faced Cusack on the Lions Gate edition. Still, I'd hope for a little more.

 

[C.C. 95]

I like this much more than that puffy faced Cusack on the Lions Gate edition. Still, I'd hope for a little more.

Oh this is a millions times better. For starters that Lionsgate steelbook art is a cartoon drawing. The Imprint is actual key art from the promotional posters.

 

[IllegalSwede]

Oh this is a millions times better. For starters that Lionsgate steelbook art is a cartoon drawing. The Imprint is actual key art from the promotional posters.

I actually like the Lionsgate art and personally don't want art that is the same as literally every other edition (German releases excluded). Using this artwork at that price feels lazy and low effort. But to each their own.

 

[C.C. 95]

I actually like the Lionsgate art and personally don't want art that is the same as literally every other edition (German releases excluded). Using this artwork at that price feels lazy and low effort. But to each their own.

You've got that exactly backwards. The reason they do cartoon artwork on Lionsgate stuff is so that they don't have to PAY for assets. They are being CHEAP.

 

[leelee17]

You've got that exactly backwards. The reason they do cartoon artwork on Lionsgate stuff is so that they don't have to PAY for assets. They are being CHEAP.

Plus it's crap...